The News Letter: Issue #008

THE SHAPE OF BOREDOM TO COME.

If you think long enough about why everything online seems so much worse than it used to be, eventually you'll get bored.

The subject of boredom is often studied in relation to the hazards of entertainment because they share an interesting, formerly inverse relationship. I say "formerly" because the erstwhile truism that entertainment counteracts boredom no longer holds true.
 
In fact, these days it is quite possible to be so entertained that you become bored. (And not the good kind, either.)
 
It is not lost on me that while attempting to alleviate boredom via an entertaining podcast I happened across one of the most cogent distillations of an argument I had been attempting to make for quite some time on the importance of forcing oneself to experience the good kind of boredom.
 
The following excerpted transcript is from the underrated politics & pop culture podcast Michael & Us. The topic of conversation was Jim Jarmusch's seminal 1984 observational dramedy Stranger Than Paradise. In setting up the premise of the film, co-host Luke Savage noted, somewhat romantically, that the old gray boredom, well, she ain't what she used to be.
 
Stranger Than Paradise

(I'm going to quote generously from this excerpt, but I urge you to seek out the entire conversation in context.)
 
“You can be bored today, and yet everything around you, everything you're looking at, can be incredibly busy, right? How many of us are bored these days, and we're just scrolling?
 
Media saturated boredom is very different than the kind of boredom that people, you know, experienced for thousands of years before that. Media saturated boredom is anxious, it's distracted, which, boredom that's not distracted can sometimes be constructive, because if you get bored enough, you might just think, I don't know, 'I'm going to focus on something.' Maybe I'll read a really interesting book or something like that. Maybe I'll go do a task that I've been putting off and find some satisfaction in that.
 
That's categorically not what happens when you're doing the type of boredom where you're kind of cooking dinner, you got a Netflix show on, maybe you're scrolling through Twitter or whatever at the same time. You're feeling mildly anxious and you don't really know why, and it's because you scrolled past a news story 15 seconds ago that you've already forgotten. You don't remember what the source of the anxiety is, but the mild pang of anxiety has stayed with you, even if you can't remember its context. This is a new way of being bored, and it's frankly vastly inferior to the previous way of being bored.”
 
Preach.
 
In his popular denunciation of popular culture Amusing Ourselves to Death, Neil Postman was mostly correct to warn that too much entertainment can degrade deep thought, but he failed to foresee a future in which amusement becomes a fate worse than death.
 
So what comes next? Perhaps we'll experience Postman's prediction in reverse. Perhaps instead of amusing ourselves to death we'll bore ourselves back to reading books. Back to meaningful tasks. Back to satisfaction. Perhaps we'll bore ourselves back to life.


At The Newsagent's we're committed to bringing back the lost art of human-first curation (i.e., by humans, for humans). The Mixtape is our semi-regular column curating some random good stuff that's made us happy in the hopes that it'll make you happy too.
 

THE HIGH-AND-LOW MIX:

My Dinner with Skinner
 
 
Canadian filmmaker Tyrone Deise, better known online as the Final Boss of the infamous Steamed Hams meme, recently released what some have declared the End Game of the long-running gag: A 44-minute feature film recreating the iconic Simpsons scene in the style of Louis Malle's critically acclaimed (yet frequently mocked) drama My Dinner with Andre. To call this a tour de force is to undersell it. Deise was already acclaimed for his prior contributions to the genre (each more stunning than the last), but he has not only outdone himself with this latest outing -- he's outdone the entire World Wide Web.
 
B-Side: "The Glass Harmonica" by Andrei Khrzhanovsky.
 
Speaking of Deise's unmatched oeuvre of Steamed Hams shorts, one crowd pleaser in particular -- "Steamed Hams but it was banned in the USSR" -- was happily returned to my YouTube feed thanks to repeat viewings of the above-mentioned magnum opus. I say "happily" both because it is a masterwork, and because it afforded me the opportunity to learn about its source material: Andrei Khrzhanovsky's "The Glass Harmonica." A legendary surreal Soviet cartoon, it was notably banned in its homeland over alleged anti-government themes, and for being really weird.
 
LaserDisc Turtle 
Hidden Track: Commentary tracks.
 
In 1987, just a few short years after its founding, The Criterion Collection invented the audio commentary track. "Hello, ladies and gentlemen, I'm Ronald Haver, and I'm here to do something which we feel is rather unique." So said the noted film preservationist on the inaugural commentary track that accompanied Criterion's pioneering LaserDisc re-release of 1933's King Kong. Since that fateful phrase, thousands upon thousands of audio commentaries have accompanied home video releases of every stripe and genre -- from slapstick to biopic to skin flick -- easily topping the list of myriad reasons why physical media is king. Commentaries may no longer be a unique concept, but the output is almost always endlessly entertaining. Not sure where to start? Start here. And here. And here.
 
Deep Cut: "The Room" by John Ashbery.
 
Is Ashbery's "The Room" a deep cut? Maybe not. But it certainly cuts deep.
 
 
I try to rewatch this essential documentary at least once a year to ensure I never forget the difference between free as in beer and free as in speech. Aaron Swartz was robbed of his freedom and paid the ultimate price. We, who benefit from his legacy, owe it to him to put our money where our mouth is and support free culture.

The Internet's Own Boy


They say those who cannot remember the past are condemned to repeat it. The Newsagent's says those who can remember the past are contented to repeat it. Today in History is a semi-regular round-up of history repeating itself, but in a good way.
 
Today in History is technically on hiatus this week, but I'd be remiss if I didn't at least mention the most TIH story of the past several months.
 
The Life of a Showgirl Vinyl - Taylor Swift
 
As you may have heard, Taylor Swift has a new album out. (Oh, you haven't heard? Then let me be the first the say: Congrats on coming out of that coma). 
 
But that's not the news, this is: According to Billboard Magazine, Swift set a modern-era record for "the most copies of a vinyl album sold in a single week" (1.2 million copies, to be exact!). 
 
The previous record holder? Taylor Swift


With nearly half of all websites online in 2013 going dark by 2023, it's only a matter of time before the entire internet of yesteryear is gone. Scary stuff! That's why we've decided to devote an entire section to random cool links from the internet of days past, to prove to future generations that it wasn't always just a bunch of Cocomelon clones and rage-bait fan-edits. Welcome to Ye Olde Internet:
 

LINKS:

 
I Hate Cilantro: A Look Inside the Life of a Cilantro Hater and Food Lover
 
 
Upstract (FKA Popurls): The Mother of News Aggregators
 
 
 
PostSecret (it's still around!)